Märta Måås-Fjetterström (1873-1941)
Classic, timeless and pure; such was Märta Måås-Fjetterström the woman and her art, the artistically expressive tapestries and rugs that define and epitomize the Swedish textile ideal. Born in 1873 in the south of Sweden, she initially had planned to illustrate books, but when she began to send highly profound cartoons of tapestries to the Museum of Historical Culture it was clear her genius was to be found elsewhere. She gained recognition as an artist in 1909 when she created a series of works, all exhibited in premier museums and galleries. She was then asked to design the rugs used in the Nobel Prize ceremonies because of the universal appeal and support of her work. Ten years later Måås-Fjetterström set up her workshop with a few handloom weavers in Bastad. From her study at this resort town, she enjoyed an expansive view of the wide, tranquil Laholm Bay, and grew all her favorite flowers in her cherished garden.

In this atmosphere of genuine peace and freedom, Märta Måås-Fjetterström created textile art that transformed the world into ornamemtal art without losing any of its innate vitality. Her pieces are clearly inspired by nature. Although graphic in style, the motifs are taken from the natural world with colors as complex and changeable as nature itself. Indeed you can almost smell the plants and the damp soil and yet every flower has become a strictly ornamental, personal design with its own function in the total composition.

Her diligence, creative energy and enthusiasm, present throughout the entire 22 years she ran her workshop before her death are best illustrated by more than the 600 designs, sketches, and woven patterns she left for the world to enjoy. Her compositions range from heavy-pile carpets, hooked rugs and kilim rugs –works of art, all of which were rooted in the deep Nordic cultural traditions inspired by Scandinavian nature and woven by young girls whose hands were graced with weaving traditions passed down through many generations.

* Pieces were signed either “MMF,” if produced during Märta Måås-Fjetterström's lifetime, or “AB MMF,” for those made after her death in 1941.

Read more: The House that Mӓrta Built….

(January 3rd, 1872-March 26th, 1955)

Annie Frykholm was a Swedish textile artist, born on January 3rd, 1872. She attended a technical art school in Stockholm. After completing her courses, she took several foreign study trips, where she often visited London where her English relatives resided. Among other things she visited William Morris, a famous textile designer, to gain experience in the modern art industry. She attended important workshops at Morton Abbey and studied South Kensington Museum’s unbeatable collections. In 1907, Frykholm opened up her own studio, Studio Annie Frykholm in Stockholm.

One winter, Frykholm has spent in Italy, and although the purpose of this journey was actually to teach other teaching and not to teach herself, the beauty of beauty in this country with her eyes has also had her significance for her artistry. She was employed as a teacher at the school, teaching textiles.

Annie Frykholm’s textile art is strong and representing of joyful bloom. Her compositions are not always what they seem to be at the moment, and they draw further attention unto itself. Her work often has a lot to say in both form and learning, and there is something about her aesthetic that has a quiet yet elegant retreat. Anyone looking for a Frykholm design will be met with balanced and harmonious composition with original colors and noble lines.