Agda Österberg (1891 – 1987)
Stockholm-based textile designer. Joined textile studio Libaria in 1924 where she served as Director and Artistic Director for ten years. In 1933 she started Three Streams in Varnhem where she created many church textiles and carpets for public areas. Her compositions are purely abstract or stylized plant motifs of the often strong color tones.

Elsa Gullberg (1886-1984)
Swedish textile artist Elsa Gullberg had an early beginning with weaving textiles. She studied art and design in Stockholm in the early 1900s and soon after started designed fabrics for other artisans and mass production. She started her own design studio Elsa Gullberg Textilier in 1927 which specialized in carpet and wall hanging design. 1955, Elsa stepped down and her daughter Elsa-Maria took charge of the studio. Today she is known as one of the first textile designers to look at the industrial limitations for textile fabrication.

Marianne Richter (1916-2010) was recruited at MMF by one of well-known MMF designers, Barbro Nilsson. Nilsson saw Richter’s talent in colors and trained her to be a colorist. Richter’s bold choices for whimsical and folk-art colors were her palette. Along with several series of gobelin tapestries, she designed rolakan and flossa.
She continued her career by teaching at Konsfack, designing for MMF and for other weaving mills. One of her featured works is the curtain for the UN Economic Council Chamber in NewYork, that she designed and was commissioned to oversee production.

Gunilla Lagerbielke (1926–2013) was a Swedish textile artist who exerted considerable influence on arts and crafts in Sweden as a result of her heading Konstfack and chairing the Swedish Arts Grants Committee. She is also remembered for the textile works she created with her husband Lars Johanson which were exhibited in Gothenburg in 1970.

Ingrid Hellman–Knafve (1906 - 2003)
Ingrid Hellman–Knafve was educated at Maria Nordenfeldts School of Textiles, in Sweden. Shortly after graduation she established her own studio in Kinna, where she employed seven weavers.

During the 1930s she produced carpets for architect Otto Schultz in Gothenberg, who was known for his large-scale interiors. In 1944 Hellman –Knafve was invited to exhibit at Svenskt Tenn in Strandvägen, Stockholm, which proved to be a huge success. Subsequent to this, Svenskt Tenn ordered a great many pieces from her up until the early 1960s.

Brita Grahn (b.1907-2003)
Brita Grahn, Swedish textile artist, was born in 1907. From 1932 to 1940, she had her own textile studio Textura in Uppsala, Sweden. She later went on to become the artistic director of AB Robert Ditzingers weaving studio in Sundbyberg, Sweden. Her experimentation in carpet technique, ranging from flossa, reliefflossa, rölakan and tapestry techniques, Grahn has had solo exhibitions in Stockholm and Gothenburg. She has also participated in group exhibitions in Stockholm and Zurich.

Irma Kronlund (b. Sweden 1919-2008)

Irma Kronlund grew up in western Kronoberg and had completed her designer education at the Technical School and the Higher Art Industrial School in Stockholm.

From the mid-1950s, Kronlund designed for the Kronoberg läns hemslöjd, (County Crafts Association) headquartered in the city of Växjö, in Kronoberg county, in south-central Sweden. 

She remained as a textile artist at Hemslöjden in Kronoberg all her professional life until retirement in December 1984.